17th century gay erotic art
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18 Mar Japan's Edo period, stretching from the 17th to 19th century, was Artistic representations of erotic encounters between two men, known as.
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Description:Homosexuality as we know it today was not fully codified until the midth century, though this process began much earlier: Following in the tradition of Michel Foucault , scholars such as Eve Kosofsky Sedgwick and David Halperin have argued that various Victorian public discourses, notably the psychiatric and the legal, fostered a designation or invention of the "homosexual" as a distinct category of individuals, a category solidified by the publications of sexologists such as Richard von Krafft-Ebing — and Havelock Ellis — , sexologists who provided an almost-pathological interpretation of the phenomenon in rather Essentialist terms, an interpretation that led, before , to hundreds of articles on the subject in The Netherlands, Germany, and elsewhere. One result of this burgeoning discourse was that the "homosexual" was often portrayed as a corrupter of the innocent, with a predisposition towards both depravity and paederasty—a necessary portrayal if Late-Victorian and Edwardian sexologists were to account for the continuing existence of the "paederast" in a world that had suddenly become bountiful in "homosexuals. The painting was displayed in the temporary exhibition of homoerotic art Ars Homo Erotica. Despite an ever-changing and evolving set of modern classifications, members of the same sex often formed intimate associations many of which were erotic as well as emotional on their own terms, most notably in the " romantic friendships " documented in the letters and papers of 18th- and 19th- century men and women see Rictor Norton, ed. These romantic friendships, which may or may not have included genital sex, were characterized by passionate emotional attachments and what modern thinkers would consider homoerotic overtones.